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Moore, Albert Joseph The Mother of Sisera Looked out a Window 1861
Oil on canvas
Tullie House Museum and Art Gallery, Carlisle.
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Moore, Albert Joseph Dancing Girl Resting 1863-64
Oil on canvas
Private collection.
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Moore, Albert Joseph Pomegranites 1865-66
Oil on canvas
Guildhall Art Gallery, London.
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Moore, Albert Joseph A Musician 1865-66
Oil on canvas
Yale Center for British Art, New Haven, CT.
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Moore, Albert Joseph Lilies 1866
Oil on canvas
Sterling & Francine Clark Art Institute, Williamstown, MA.
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Moore, Albert Joseph Apricots 1866
Oil on canvas
Fulham Public Library, London.
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Moore, Albert Joseph Shuttlecock 1868-70
Oil on canvas
Private collection.
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Moore, Albert Joseph Battledore 1868-70
Oil on canvas
Private collection.
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Moore, Albert Joseph A Venus 1869
Oil on canvas
York city Art Gallery.
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Moore, Albert Joseph A Garden 1869
Oil on canvas
Tate Gallery, London.
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Moore, Albert Joseph Seagulls 1870-71
Oil on canvas
Williamson Art Gallery and Museum, Birkenhead.
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Moore, Albert Joseph Shells 1874
Oil on canvas
Walker Art Gallery, Liverpool.
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Moore, Albert Joseph Pansies 1875
Oil on canvas
Private collection.
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Moore, Albert Joseph Loves of the Winds and the Seasons 1890-3
Oil on canvas 185 x 216 cm
(72 7/8 x 85 in)
Blackburn Museum and Art Gallery (mk63)
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Moore, Albert Joseph a painter-s tribute to the art of Music mk221
1868
Oil on canvas
61x88.3cm
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Moore, Albert Joseph Setting Sail on a Lake in the Adirondacks oil on canvas, 41.91 cm (16.5 in.) x 67.63 cm (26.63 in.)
cyf
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Moore, Albert Joseph
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English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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